legendary finnish electro pioneers mr velcro fastener return after a very long absence with this long-awaited and much-anticipated ep on cyber dance records. full of the same funked-out, quirky and fresh futuristic sounds that brought them instant recognition in the 90s electro underground the tku ep sounds like the innovative duo never went away, effortlessly picking up where they left off. brinkkala opens proceedings with their classic signature brand of detroit-meets-finland robotic funk jamming, while the next track bridge over nothing delivers harder and punchier rhythms deftly topped with layers of spaced-out chords and shimmering noises - and a relentless bassline that builds and progresses the grooves to alien dimensions of sheer electro brilliance. the sonic assault continues on side b with ologrammed , a pulsating monster of a track that pushes the velcro fastener sound into ethereal realms that evoke the likes of technasia or the hacker in their mid-90s heyday. the ep closes with johnny s wood , a funked-up, jazzed-out and upbeat adventure over-brimming with robotic positivity and electronic optimism. copies are limited of this essential purchase for die-hard electro connoisseurs everywhere, so don t be slow as they re sure to go!

if the first black narcissus album did not knock you out, this second double lp could address the problem by being more precise where it hits.

label head vohkinne steps up to the plate again with the sweaty and headstrong 3 rd release from atrophic society, creole rhythm. its concrete rhythm, combined with an analogue lead riff stirs echoes of warehouses, insistently driving forward, mindful of where its been. tripeo remixes the title track with gusto and flair as weve come to expect, staying faithful to the riff whilst aggressively re-paving the rhythm, offering a slight twist on the original idea. rounding out the ep, be like the sun removes the rhythm to focus on tone, frequency, shades of sub bass and saturation

a key member of the minus family for almost a decade, jon gaiser is to release his lead single krakdup preceding his full length release false light in november. since 2005, gaiser has been at the heart of the minimal techno movement. his hugely atmospheric eps and lps have always explored the darker, more stripped back and abstract edges of the dancefloor and have often done so in conjunction with immersive and complimentary live visuals

hot on the heels of moscomans dark horse ep, im a cliches latest release features indonesias best kept secret, the talented jonathan kusuma on the gong 3000 ep where tracks ranging from the heavenly to the downright gritty showcase the full range of the producers abilities.

we are very honoured to welcome the cologne-based producers hade + gutta to the local talk family. their debut release marks a further development of the local talk sound, balancing between house & bass. the ep kicks off with *nothing wrong*, a track built around a bouncy bass riff that lingers and weaves around a clever vocal splicing. *in me* continues where *nothing wrong* left off but adds more depth and ingenious stabs, it is a 100% bouncing track for sure. ending the ep is hades solo number *baphome*. a bass fuelled floor packer with nicely interwoven synths and a hypnotic house groove that remains present throughout the track. in conclusion - a garage-esqe belter with the right amount of wobbly bass to satisfy all your dj & dance floor needs.

anstascia d elene and vivie-ann bakos aka blond:ish are members of the notorious kompakt and get physical families along with a slew of other labels, they have carved out a niche thanks to their dark, sensual club music, sultry dj sets and outrageous, fun-loving attitude. a slew of original productions, remixes (the last one for the electronic music legends depeche mode) and gigs all over the world helped reinforce their undying love for music and demonstrated that, where words fail,blond:ish s music speaks.

greco-romance. it has often been said that the early underground parties thrown by the greco-roman artist collective, party and record label were romantic affairs. maybe it was the punch, maybe it was the music, but love was certainly in the air. and so the third solo ep from hot chips joe goddard picks up where last summers ep *taking over*s love affair with club basements left off.

during these days where lo-fi analogue house productions seems to be the it thing, its time to dig out a release by one of the true pioneers of house music. not an outsider but one of the names thats been around forever and thats known for several timeless house classics.

towards distance - embarking upon a journey into the unknown, where only the journey is the reward – not the destination. a road trip into distance. towards the horizon. getting in motion and never standing still.
180 gram double vinyl in gatefold sleeve.

drums are rollin , chords evolve and the bass just sits there, right where it belongs - gorge is back! the label-head returns to 8bit with three new tracks to give your sets that extra spice of deep. although sharing the same vibe and quality, each production stands out on it’s own through individual elements and dynamic arrangements. azuka ep is a timeless clubbanger and perfect fit for any tech-djs collection, enjoy. supporter: anja schneider, sidney charles, mihai popoviciu, oliver koletzki, noir, daniel stefanik, felix da housecat, dubfire, reboot, sasha, jimpster, leon, richie hawtin, hot since 82, joseph capriati, matthias tanzmann, nick curly

third release from relapso records where the host brings new fresh techno to the floor. brings new fashion old 909 beats to this world from mirage and hunted conquers. this pack has also two great remixes from the masters brendon moeller and iori, where they show his talent in how to kill a dancefloor with great grooves and beats.

odd even is the new label project from andre kronert. created as a wide open space and blank canvas for friends and peers to release music that andre himself will include is his dj sets. odd even is a playground for both music and art, with each release receiving a full vinyl press and exclusive cover artwork.
001 is from the label boss himself and features the stripped, staccato sounds of the title track and the stealthy purring acid of isolation. the labels first remix selection sees andre look to argentina and two of the countries finest musical exports, jonas kopp and pfirter. both take terminus into tougher territory where kopp twists the piercing note of the original and pfirter assaults us with his blistering drum work.

good job 030303 got their hands on these six tracks by rolando simmons as they remind you of where acid got its name from: this is music to trip to. the 303 is abused to the fullest while simmons adds snares and outlandish melodies to the acid bubbles and bleeps that are never far away.

love club was an obscure one off project fronted by jay -mixin- dixon, a dj with a long history at nycs kiss fm where he played deep house and garage on the stations legendary master-mix show in the early 90s. the record also features a mystery, uncredited female vocalist assisted by some top shelf studio personnel manning the boards.

nice price deal !!! 2nd release picks up where the 1st ended, under the tutelage of the pittsburgh track authority, as 2 young pittsburgh producers grab the reins, & take the labels sound deeper into funky space-age techno.

deep, dark and instinctive techno/ rhythmic/ industrial/ drone music from manchester uk, are the words that can be found to describe the music of casual violence.. its safe to say that they picture the painting discovered in this new ep. expression unrelated is made up of four tracks as good as they are varied.. on the a side theres burn it all down , pure quality techno 4/4, dark and fleshy, the perfect bullet to hypnotise the dance floor in a few seconds.. youth horde, an interlude/break, deep aquifer on a down tempo beat, which rails in this a side beautifully. on the b side, the track who gave his name to the ep, expression unrelated is a track as dark as it is rhythmic. a broken devasted beat, over 9 minutes of insanity.. sensitive souls beware. we finish off with an outro/intro, where long and hypnotic strings interlace.. as already stated, pure drone music from manchester.

life, death, energy, love, hope, danger, agony, peace, if i stop today it was still worth it. even the terrible mistakes, that i have made and would have unmade if i could, or that maybe i would just redo the same. the pains and thoughts that have burned me and scarred my soul, it was worth it for having been allowed to walk where i ve walked. which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, above and beyond it… i won t regret!

insmonia is the new project that mihalis & cj will run. so this is the point where everything start! amazing rave beats with a demarzo remix. not to be missed!

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.

the third sampler from the ralph lawson content album features three of the uks hottest house artists doing what they do best.

simon garcia joins the freerange fold for their 196th release where he delivers two brilliant originals that seem to encapsulate the labels sound perfectly. the spanish producer has slowly but surely built his reputation over the last few years with quality releases on guy gerbers supplemental facts, rippertons perspectiv and most recently steve bugs poker flat recordings.

here it comes the third release from rising label with an original track from deepbass, another rising artist, that gives the name and life to this record and gets completed by remixes from abstract division, max_m and p.e.a.r.l. the original track, -sleepwaker-, is a deep gummy trip into the deepbass world, shaped on modern techno. following, we can find abstract division remix, where the dutch guys goes on purposing a very beautiful version keeping at time an eye posted to the dance floor. on the b side we can find max_m s version, a track that goes punchy and energetic from the beginning while keeping all the essence from the original, simply and very effective. p.e.a.r.l. closes the ep going darker and harder with a broken track, -loopy- and powerful version to complete another finest techno ep.

paul white has long established himself as an acclaimed hip-hop producer, but on his debut lp for r&s records he expands his horizons with the most personal music of his career to date. with the the sampler laid aside, the south londoner emerges as a multi-instrumentalist, singer and producer as he charts the intoxication, heartbreak and ultimate triumph of a grand love affair.
the vinyl lp includes a download code.

inwave prestents its first release with 4 awesome tracks by third child, counrad, plusculaar and lumieux. an amazing split where all artist expressed their own style, as scything sounds, breathy vocals, and a variety of vibes lunge from the darkness. techno-minimal and romanian style that reveal inwave a perfect place to be.

this is the record of the year for us. goldffinch are mindblowing on this one, it is their very first move in this direction and the reusult is just brilliant. this is dj material that cannot be overlooked, all three gorgeous tracks out on vinyl in september as part of our clubwerks series. within the infinite flow of quality emotional techno, goldfinch have geared up to follow the fine sonic trail lead by the likes of life and death, innervisions, ten walls and many others bringing together the massive appeal that only impeccably crafted techno can draw. we just want this music played where it can be heard by everyone. endless love.

walking through the sky, five years ago christian naujoks, peter m. kersten and richard von der schulenburg started a series of spontaneous recording sessions without any intention or idea. the only thing what held the group together were the immediate results hitting the three musicians straight inside their hearts. jazz as a metaphor of instrumental conversation, improvisation in the most dillettant way, science as a matter of exploring the opposite sound of what instruments were built to, these might be parts of a concept where there was none.

180 g vinyl. fernando has released on well loved labels such as gomma, internasjonal, 2020vision, leng, redux, under the shade and bearfunk, where last year he released his debut album float becoming a firm favourite of dj harvey in the process.

over the course of his twenty-plus-year-long career, luke solomon has made one hell of a name for himself: he has released dozens of singles and eps on labels like crosstown rebels, rekids, cajual, and playhouse, to name a few, founded his own imprint, classic, with longtime friend and co-conspirator, derrick carter, dropped four albums, and had a hand in well over 100 remixes. as one might expect, it is a tremendous honor to now welcome the veteran dj and producer to lph, where we think he fits in perfectly, despite being the artist in our ranks with the most impressive tenure.

a harmless deed release number 8 brings the third installement from epiphany, a record we are really excited about. from the ever evolving and soul infused acid of -let the boy be- where everything sits over a deep and rhythmic chord progression, to the noisy deepness and jam feel of -player-, or the weirdly addictive groove of -on the run- where snares and pads find their way over a jazzy melody, -last gasp- proves itself to be epiphany s strongest release to date, a record that radiates energy and futurism.

a twenty year break away from making music is almost unheard of especially within electronic music circles, but that is where antenna happy finds himself with pinto. clocking in at 9.09 pinto draws from psychedelia and techno set straight for the sun. this kaleidoscopic sonic excursion has all the makings of a cult classic, and heads up the debut 12- release on newly founded imprint reinhardt records. taking lead on the b-side an entirely different affair in the shape of fallen. this is benchmark electronic music, as arpeggiators take flight mirrored against hypnotic acid bass, for a journey into the outer house territories. closing the ep, spark holds the reigns. conceived within the same stretch as pinto, however it wasn t until some months later that spark took on its full form. emotive modular synths lay the groundwork, connecting the dots between low-slung techno and house music, culminating in a track that sits in neither genre camp. spark will appear on the digital release only. the ep title track takes its name and inspiration from paintings by antenna happy s three-year-old daughter, whose birth inspired him to return to making music. close-ups of these paintings can be seen in the artwork for the release.

there are instances where people love certain pieces of unpredictable art.

proud yorkshire label hudd traxx have been putting out a reliable stream of quality deep house since 2005, with artists like dj sneak, rick wade, iron curtis, jay bliss and agnes just some of the many names to appear on the label. this 46th release features three debutants, while the fourth name, j.t. donaldson, spearheads the release with a wishy-washy, bassline driven deep house vocal cut -got myself together-. hudd traxx provides dusseldorf producer maximiljan with his first physical release with the track -son of a- which merges the linear 909 house style of norm talley with smooth chords and cheeky vocals similar to the now defunct swiss house duo azuni. but most interesting for the label on this release, it s the two new names in professional gigolo and tuneon that prove hudd traxx still know where to look when it comes to unearthing new and vibrant talent.

though i am old with wandering through hollow lands and hilly lands, i will find out where she has gone, and kiss her lips and take her hands and walk among long dappled grass, and pluck till time and times are done, the silver apples of the moon, the golden apples of the sun.

limited 99 cent deal - last copies left !! be fast !!
we are proud to present the next thrilling release by co-owner pherox on slash! tims second ep named dmf-9-electric is a mixture of deep soulful and floor shaking electronic music. we call it the gentle side of techno, no wonder that one of the hottest artists in this scene john daly delivers a cracking remix to this 4-track ep. lets start with the first track road days which is dominated by deep rolling basses and floating voices creating a hi-tech energy peak time track. once you get the sudden effect of it, its gonna reveal the true freak in you, give it a try! the other title on the a-side called rude vox is a dark dream of liberty and a long voyage into the night. its clothed in moonlight and restless in wanting where the voices of children paired with strings, a ghost precedes us, a shadow follows us - each time we stop – we fall. the b-side starts with john daly s rework on the track shelter. the remix is a dark miracle of shiny blackness which has his own magic, while the sun sinks low, an h-bomb in reverse. john takes the key parts from the original track and raises them into a new context. techno-soul in its purest form. we, for one, are in ecstasy enthralled. can we convince you to smile? the whole ep ends up with the original one from pherox. the circular beat of shelter with its loaded flashy effects will heat up any dance floor for sure. boys and girls, its getting hot in here so take off all your.. or just keep doing whatever you want!

demarzos sound is a meticulously crafted one. his toxic perfectionism and shrewd sense of rhythm lead him naturally to where he is today. his well-revised sets include anything from underground deep house to main room deep tech. after releases on hot creations, noir, glasgow underground or loulou records to name a few, arrives to sincopat with two secret weapons. holster is a cheeky but solid track which brings together groove and melody. analogue synths being added, it also presents changing voices all the way. for the remix, walker & royce take the deep way with a dry kick and sinister notes. pay attention to the astonishing breakdown. trigger is the second original track, in the same language than holster, and using some classic groovebox bullets. ramiro lopez, one of the sincopats golden boys, after his bedrock release, offers two fresh versions with different treatments.

if nothing else, tardis records is a vessel of friendship: a place where joint passions thrive. thusly, eli verveine and oscar schubag have asked dj jes from chicago to perform his west coast-inflected house magic.

here is the new single by rachel giannini aka camilla green, the fourth with wonder wet records. side a is a classic deep house track where begins the collaboration with carola and her beautiful voice. side b is in an hypnotic techno influenced trip, featured by altarboy.

rawthenticity is proud to present this new ep from fulbert - where distorted raw drums meet soulful deep house. powerful cuts.. slamming detroit influenced pernicious planet, gritty deep ghetto-reminiscent ideals, raw drum madness meditation in a forest of shimmering mirrors and the ethereal clouds of as a closing track for this ep.

time to say goodbye.my idea behind falkplatz schallplatten was from the beginning to release 10 catalogue numbers and shut it down after. so, it took me 4 years to come to this point and it definitely feels right to do this step. in the meantime i founded a few other labels that are more heads down and where names dont matter that much.

after the success of the first ep on belief system records in 2013, ritzi lee has decided its time to deliver the next bomb! with radio signals ep ritzi is taking a deeper exploration on how certain signal sounds can influence space, and how he can apply this in techno music. the result (for now) is 4 tracks that cover different levels of suspence. >deflected< works like a frequency shield where no influences from outside can come through. >activate< is a subtile suspence build up to pass over the signals to infinity. >s.o.s.< is the tune to save our souls in techno music. and >code 754< is the technology to support intergalactic carrier wave transport.

nx1, spanish duo samot and surit from nexe records step up to the plate for the next release on terence fixmer’s planete rouge label, with their ‘pr’ ep. having also released on the likes of semantica, dynamic reflection, m_rec and modularz, their tracks are the result of many years of experience in the electronic music scene where techno was the main soundtrack. the ep is comprised of three new cuts, opening with the thunderous ‘pr1’ with its pulsating bass setting the tone for the rest of the ep. ‘pr2’ follows with some dappled electronics before ‘pr3’ pounds into play, rounding up this triple techno-header. big with marcel dettmann, luke slater, marcel fengler, joseph capriati, truncate, drumcell and many more

for speicher 80, miami-based dj/producer danny daze presents two powerful cuts where heady playfulness and dreamy ambience meet the raw energy of muscular basslines and bouncing beats

hot city orchestra is a reformation of a band, which was originally formed in 1998. at the age of 17, arno völker (einzelkind) and simon birkenfeld became friends and started making drum and bass music together. they toured all over germany with their record label and had residencies at robert johnson in offenbach and tanzhaus west in frankfurt. after gaining years of experience within the breakbeat scene, arno went on to become einzelkind with releases on playhouse, cocoon, white and his own imprints la peña, jax and pressure traxx as well as worldwide dj gigs. simon was still focusing on his breakbeat career for another year, making an album with a uk drum and bass legend, but it was never released. he stopped making music and started focusing on his career in pr and marketing, where he mostly worked on music and art projects. during this time, the long-time friends arno and simon came up with the idea to launch the blog-network-project www.disco-very. net now, 16 years later, after making first beats together, the boys are back! a tiny bit older, much wiser, more handsome and around 50 bpm slower.

detroit young gun rawaat finally steps up with his debut vinyl release for lobster theremin. having carefully honed an inimitable sound that caresses the left-facing corners of house, techno, ambient and beats, this marks the start of what promises to be a very special year for the mid west talent. rawaats own diy tape imprint, crisis urbana, simultaneously provided the breeding ground and outlet for ideas and a collective mentallity that is beginning to define a new wave of detroit producers, and listening to their discography it is immediately clear where those tape-saturated, cut-and-paste jams found their roots.

launching after the seminal tambacounda ep clap! clap! drops 2 works carved from the same tree as the soon to come long player. buck is a customary quick-step drum workout where the world both modern and ancient collides to create an explosive oldworld sci-fi b-boy stomper. on the flip ichnusa is a more dreamy psyched out acid voyage across the planes.

feel my bicep records returns once again for round three. this time however the lead is given to peers and friends in the form of a remix 12inch where by brassica and john talabot have remixed bicep - satisfy taking one side each.

the new tugboat edits is a chicago/nyc split 12 inch featuring tim zawada and chrissy (chris e. pants/chrissy murderbot). starts with a summer vibes cut where tz flexes his disco music followed by two alternative disco cuts from chrissy and ends with another new wave edit from tim. hand stamped and numbered white label 12 singles. limited to 400 numbered copies.

otis clay gehört neben al green und ann peebles zu den federführenden künstlern des amerikanischen soul-labels hi records. das album -i can t take it- war lange vergriffen und wird hiermit für den deutschen markt in einer exklusiven auflage von 200 stück in farbigen vinyl (180g) neu aufgelegt. otis clay war neunmal für den grammy als bester r&b-sänger nominiert und gilt international bei soul und blues-fans als außergewöhnlicher sänger.